A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. The author beautifully portrays the overwhelming experience of being on the threshold of maturity, convinced (sometimes correctly, unfortunately) that the choices one makes now will affect one’s entire adult life, struggling to balance obligations to oneself and to others, and feeling paralyzed on that brink.Īs the warning on the door to the Goblin Market says, “Be Sure.” Choose wisely, and choose this book.Īre we not men? We are-well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).Ī zombie apocalypse is one thing. But the Goblin Market requires her to select one world or the other before she turns 18 if only there were some way she could delay that decision for a while….Lundy’s adventures will feel sadly inevitable to readers of the previous books in the series, knowing how she will suffer twice over as a result of her actions, but readers will assuredly not regret going on this journey.
Lundy, as she now calls herself, travels back and forth throughout her adolescence, unable to choose between the independence and sense of personal responsibility she values at the Goblin Market and her emotional ties to her family. But once she’s back with them, she chafes at the societal expectations placed on girls, which feel more restrictive and arbitrary than any stricture of the Goblin Market.
Frightened and sad, she runs home to the family she left behind. She learns to love the Goblin Market and the friends she makes there, but the happiness she discovers is balanced by the danger and sorrow she experiences. All of these qualities stand her in good stead when she discovers a door inside a tree that leads to the Goblin Market, a fairyland network of shops and stalls built on a complex architecture of debt and rules which must be obeyed. In the 1960s, Katherine Lundy is a quiet, observant little girl who likes to read books and follow rules. The fourth novella in the Wayward Children contemporary fantasy series tells the tragic history of Lundy, the backward-aging therapist of Every Heart a Doorway (2016).
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